Arnold Gingrich: A Well Tempered Angler

“Actually, though being well read must be a part of the process, an angler is tempered chiefly by practice and experience, by learning and attempting to reach the successively higher goals of his sport, and thus acquiring, through any amount of disappointment and frustration, the satisfaction of knowing that he is doing the simplest thing in the hardest way possible.” – Arnold Gingrich

The Well-Tempered Angler by Arnold Gingrich. image courtesy librarything.com

A slight detour from my pursuit of world literature classics via the 2015 reading list. I’ve had a couple of gifts this past week, both from my son Josh. The first gift is a new granddaughter, Susanna Quinn, our first grandchild and a wondrous new addition to the life of this old writer/professor/musician. Of course, in that endeavor he had notable assistance from his lovely wife Sandra, so credit where credit is due.  The second gift Josh bestowed upon me was a book – you may let your shock and awe begin now. We were on our way  to pick up some dinner the evening that the amazing and lovely Susanna was allowed to come home from the hospital and when I got into Josh’s car, there was a book in the floorboard. “Take that, Dad,” he said. “I’ve been meaning to give it to you.” It was a copy of The Well-Tempered Angler by Arnold Gingrich. Having just muddled my way through Andre Gide’s Corydon and just become a grandfather, I was feeling the need for something – shall we say, self-indulgent? The Well-Tempered Angler fit the bill perfectly.

The book is on fly fishing, my favorite sport.  I’ve written about fly fishing, on a number of occasions now. You can read this and this and this if you feel so inclined. I shall probably write about fly fishing again.

I think we have established that I have a certain fondness for fly fishing. So did Arnold Gingrich. For anyone who finds the literature of angling of any interest at all, or for those with a curiosity about how those of the New York literary scene lived back in the heady days of White, Thurber, and Parker at The New Yorker, and Hemingway and Fitzgerald at Esquire, the various sections of this book will be delightful.  Continue reading

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Andre Gide’s Corydon: Defending who you are…

“It is better to be hated for what you are than to be loved for something you are not.”                                                                                                                                                – André Gide

Corydon by Andre Gide (image courtesy Goodreads)

The complex and provocative André Gide is known for his unconventional examinations of morality in which he usually pits the conventions of accepted public morals against the  individual moral (sometimes amoral) views of his characters. In novels such a The Immoralist, Strait is the Gate, and The Vatican Cellars Gide explores alternate lifestyles, failed relationships, and Nietzschean acts of ubermensch-iness for both tragic and comic effect. These works won Gide the Nobel Prize in 1947.

I’ve read all of the above mentioned works by Gide. My favorite is The Vatican Cellars (Les Caves du Vatican), a comic adventure that crosses elements of The DaVinci Code sort of conspiracy theory nonsense with Dostoyevsky’s Crime and Punishment. In the hands of an arch satirist like Gide, a plot about saving the Pope from the machinations of the Masons goes sideways because of the actions of a Raskolnikovean sort of ne’er-do-well named Lafcadio who decides that what he really needs to do with his life is kill someone at random so that there is no motive at all to connect him to the murder. Unfortunately, the man he decides to kill turns out to be a vital cog in the aforementioned Pope v. Masons business. Hilarity of the darkest shades ensues. Really. It’s a very funny book – in dark, dark ways.

Unfortunately, this sort of funny stuff was an anomaly in Gide’s oeuvre. He mainly focuses on the unhappy effects of rebelling against (L’immoraliste) or falling prey to (La porte étroite) accepted social and cultural institutions and behaviors. Corydon, his attempt to justify homosexuality as a natural human behavior, is firmly on the serious side of the Gide ledger. Continue reading

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Book Review: The Burgundy Briefcase by Roberta Burton

Knowledge in our chosen fields of endeavor is important, certainly…knowledge of ourselves is essential…. 

The Burgundy Briefcase by Roberta Burton (image courtesy Goodreads)

Roberta Burton’s The Burgundy Briefcase is a difficult novel to discuss because it doesn’t seem quite sure what sort of novel it wants to be. It’s part star-crossed love story, part therapeutic confessional, part self-examination. Its settings shift from place to place as its main character, a doctoral student named Lee Lindsey, moves around Tallahassee, Florida where she is completing her doctorate in marriage and family counseling at Florida State University. It moves, sometimes rather blithely, through time from present to past and back again. It has a shifting cast of characters who appear, disappear, and reappear in those weird ways that people sometimes do in life.

Perhaps The Burgundy Briefcase is best described as a picaresque novel about education. The work is filled with various types of educations, and Lee Lindsey, willingly and unwillingly, gets educated in all all of these education types. Continue reading

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Thomas Mann’s Joseph the Provider: the truth of the story….

“Any attempt to examine the moral foundations of our exceedingly complicated world requires a certain amount of learning.” – Thomas Mann, Joseph the Provider

Thomas Mann (image courtesy Wikimedia)

Since Alfred Nobel established his prizes at the turn of the 20th century, there have been any number of recipients who have been, shall we say, arguable choices. The two prize areas where perhaps the greatest arguments have occurred have been the prize areas for peace and literature. On at least two occasions I have weighed in myself, once concerning Peter Handke, once concerning why the Nobel committee has refused to award an American writer the literature Nobel since Toni Morrison in 1993.

In making my way through the world literature section of the 2015 reading list, I’ll be looking at several literature Nobel winners including Sigrid Undset, Andre Gide, Herman Hesse, Jean-Paul Sartre, and Yasunari Kawabati. In the case of finalists not selected, such as Yukio Mishima from the reading list and the aforementioned Handke, their non-selection has spurred argument and controversy proving yet again the truth in that old and variously attributed adage, all art is political.

Thomas Mann won the literature Nobel in 1929. If one has read Mann’s work, one knows the Nobel committee got his selection right.

To Joseph the ProviderContinue reading

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Balzac’s Pere Goriot: a cautionary tale for helicopter parents…

Stop me if you’ve heard this one before…parent dotes on children who are ingrates and…yeah, well…

Pere Goriot by Honore de Balzac (image courtesy Goodreads)

It is easy to make arguments against Père Goriot. It’s a rather sloppy book because the author, Honoré de Balzac, wrote quickly and rarely labored over his words. It’s a frustrating book because Balzac veers back and forth between Romanticism and Realism, sometimes on the same page. Two characters who would seem to be major figures disappear from the novel without adequate explanation. The ending is both overly long and abrupt, quite an accomplishment in itself, but not the preferred effect one would expect a great author to achieve.

In spite of all these flaws, it’s a magnificent book and one that will haunt anyone who has been a parent or had a parent who, for all the best intentions in the world, can’t seem to get that most fundamental life relationship right. Continue reading

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MoMa, Bjork, and the future of art…

For art and artists, these are interesting times…as Adam Marsland reminds us, that’s a Chinese curse…

I’m currently working my way through a re-read of Honoré de Balzac’s marvelous Pere Goriot as part of my 2015 reading list. While the opportunity to savor Balzac’s loquacious piece of realism that examines parental love and Parisian society is certainly pleasant for a dyed-in-the-wool proponent of realism in its various literary expressions, both foreign and domestic, I have found myself with nothing to write about unless, as Mr. Micawber optimistically, invariably expected,  something turns itself up.

One of the representations of the always inimitable, sometimes unfathomable Bjork at MoMA (image courtesy Vulture via Getty Images/Timothy A. Clary)

Since you are reading this, you know that my own Micawberean expectations have not been disappointed. A piece by art critic Jerry Saltz at the Vulture blog of New York Magazine caught my attention because it addresses one of the unresolved cultural questions left to us by the 20th century: to wit, how do we reconcile the merging of popular and  what was once termed “high” culture and make intelligent determinations about what is culturally worthwhile for us to explore, discuss, even preserve in this merged culture?

This issue is one that I have explored extensively before, and, despite my best efforts to offer some explanations/insights/whining complaints, it pops up again and again and smacks me (metaphorically, of course) upside the head saying, “How do you like me now, Jim?” and forcing me to take yet another look at this perhaps never to be resolved issue.

So. Here we go again…. Continue reading

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Lermontov’s A Hero of Our Time: the Byron factor

“Contradiction is, with me, an innate passion; my entire life has been nothing but a chain of sad and frustrating contradictions to heart or reason.” – Grigoriy Pechorin in A Hero of Our Time…

A Hero of Our Time by Mihail Lermontov (image courtesy Goodreads)

Another Russian classic from the 2015 reading list. Mihail Lermontov, like Pushkin, whom I write about last time, is a Russian Romantic era writer, and his only significant work, the novel A Hero of Our Time, is as good an example of the enormous impact of Byron on European literature as a reader will ever find.

The Byronic figure, a response to proto-Romantic figures like Mackenzie’s The Man of Feeling or Goethe’s Werther, was a world weary, bored, self-destructive  figure who cannot find peace anywhere. Lermontov’s Grigoriy Pechorin is just such a figure. His inability to relate to his fellow human beings is not simply excused – it is admired and forgiven:

…if all people reasoned more, they would be convinced that life is not worth worrying about so much…

Continue reading

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