Bearded Women by Teresa Milbrodt…A Book Review

“The cyclops woman squints at them, those who deem themselves unlovely, and knows that no one would look at them twice in a crowd.” – “The Cyclops” by Teresa Milbrodt…

Cover, Bearded Women by Teresa Milbrodt (courtesy, Goodreads)

We live in an age of integration. We mainstream, accommodate, and in other ways try to make up for the cruelty of much of human history toward humans whose physical, mental, and emotional characteristics fall outside the range of that which we in our blissful ignorance have long called “normal.”

Teresa Milbrodt’s new book, Bearded Women, is the writer’s attempt to make “otherness” part of “normal” human experience. This group of stories takes human characteristics which we would normally associate with “freak shows” and weds them to narratives about “normal” human problems. It’s a brilliant conceit – and Milbrodt executes it so well that the reader finds him/herself following each story not with the voyeur’s eye to the main character’s “otherness” but with the sympathy/empathy that we would show to anyone we encountered who was struggling with problems that we’ve either faced and solved ourselves or helped friends or family members face and solve.

A few examples from the book will serve to make my point here clear:

* In “Bianca’s Body” the main character is a woman with two lower torsos – surely freak show stuff. But the problem she faces is one many women in their thirties have struggled with – the call of motherhood vs. the call of career. Complicating all this is her position as a public figure (a successful news anchor) as well as the strain on her marriage.

* In “Mr. Chicken” the main character, manager of a successful hibachi restaurant, must find a way to handle a creepy customer who is damaging her business – even as she struggles with  “coming out” as her true self – a bearded woman.

* In “Cyclops” the main character, whose “otherness” is explained by the story’s title, struggles to find ways to help her family’s failing business. She considers that most self-damaging of options, selling herself – even as she tries to trust in a relic from a saint to bring her a miracle….


There are other fascinating and yet ordinary characters – a woman with snakes for hair like Medusa who works as a bartender with the attendant problems those in that profession face;  another with two sets of ears who must cope with a stalker – all face problems that we all face and all either find or don’t find solutions.  But there is another theme that pervades this wonderful book of tales and I am undecided as to whether to call it meta-textual or sub-textual.

The story that best illustrates this, “The Shell,” is unusual for a couple of reasons. First, the main character, a wood carver/sculptor who discovers that he has a talent for carving “designer coffins” in shapes ranging from an ice cream cone to a tool box, is male. Second, in this story more than any other, that theme I mentioned above comes closest to being an overt element of the text.

The talented coffin maker, Martin Wyss, meets the story’s other main character, a woman named Odessa, whose body is being reduced to twisted freakishness by the ravages of rheumatoid arthritis and who requests of him a casket shaped like Aphrodite’s scallop shell in Botticelli’s Birth of Venus.  The struggle that ensues between artist and audience for control of the work he creates illustrates that theme I’ve mentioned that pervades all these wonderful stories – how does one exist as an artist in a world where one’s bared soul (i.e., artistic talent) must be sold as a commodity?  And further, is it worth the personal cost, both emotional and psychological, to display one’s talent – no matter how rich/famous/notorious it might make one?

Or is it better, as in the other stories from this collection that I’ve cited above, to keep one’s “talent” hidden – behind a news anchor’s desk, behind a shaded visor, behind a razor’s sharp edge.

Bearded Women explores these questions in disarmingly clean and enjoyable prose that draws one in – then shakes one’s tree quite vigorously.

I recommend it highly – and I look forward to whatever this gifted writer brings us next.

(This review originally appeared at Scholars and Rogues)

About Jim Booth

writer, professor, rock star - pretty inaccurate summary, I think...
This entry was posted in Uncategorized. Bookmark the permalink.

6 Responses to Bearded Women by Teresa Milbrodt…A Book Review

  1. Dear Jim,

    I’m writing to see if you might be interested in reviewing a new collection of short stories by Teresa Milbrodt called Larissa Takes Flight. I read your review of her previous publication, Bearded Women: Stories, which you “recommend[ed] highly.” You also said you were looking forward to “whatever this gifted writer brings us next.”

    Well, here is the next gift from Teresa. Her upcoming book, due out in May 2014, continues in the style you enjoyed so much, namely the “disarmingly clean and enjoyable prose that draws one in – then shakes one’s tree quite vigorously.” The stories presented in Larissa Takes Flight have the same great writing and unusual, lyrical feeling that you enjoyed in her first book; she once again uses the fantastical to show the human in all of us, especially those who are colorful and different.

    Please let me know if you would be interested in reviewing Teresa’s latest collection. Would you rather receive a hard copy or a PDF?

    Thank you,

    Andrea Boucher
    Editor, Pressgang
    Butler University

  2. Jim Booth says:

    Hi, Andrea,

    I’d be happy to review Teresa’s new book. I would much prefer to receive a hard copy of the book – just call me an old fogy. Shoot me an email at sirpaulsbuddy at gmail dot com and I’ll send you my snail mail. Prefer not to post it here for the obvious reason that I don’t like everything I read. 🙂

    But I love Teresa’s stuff – so, contact me and we’ll synchronize watches.


    Jim Booth

  3. Pingback: The Patron Saint of Unattractive People by Teresa Milbrodt – a Review | The New Southern Gentleman

  4. Pingback: WordsDay: The Patron Saint of Unattractive People by Teresa Milbrodt: a review | Scholars and Rogues | Progressive Culture

  5. Pingback: Guy de Maupassant and the Pain of Brevity… | The New Southern Gentleman

  6. Pingback: Guy de Maupassant and the Pain of Brevity… | Progressive Culture | Scholars & Rogues

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s